Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
May 13, 2024 | Sotheby's | New York | Contemporary Evening Auction | 117 | $****** - ****** | Carat |
paintings
132.7 x 121.9 cm (52.25 x 48 in)
water-based paint on canvas
Frederick W. Hughes, New York
Thomas Ammann Fine Art, Zürich
Acquired from the above circa 1993 by the present owner
Vienna, Kunsthalle Wien and Frankfurt, Kunstverein, The Language of Art: The Relationship between Image and Text in 20th Century Art, September 1993 - February 1994, no. 135, p. 201, illustrated
Zürich, Daros Exhibitions, Warhol, Polke, Richter: In the Power of Painting 1: A Selection from the Daros Collection , May - September 2001, p. 41, illustrated in color
New York, Gagosian Gallery, Andy Warhol: Early Hand-Painted Works , September - October 2005, p. 51, illustrated in color and p. 118 illustrated in color (in installation)
Zürich, Daros Exhibitions, Face to Face: The Daros Collections, Part 1 , October 2007 - February 2008, no. 10, p. 29, illustrated in color
Zürich, Thomas Ammann Fine Art AG, Andy Warhol. Black & White + Silver , June - July 2019, p. 3, illustrated in color and p. 15 (text)
Georg Frei and Neil Printz, eds., The Andy Warhol Catalogue Raisonné Volume 1: Paintings and Sculpture 1961-1963, New York, 2004, no. 28, pp. 44, 48 (text) and p. 46, illustrated in color
María Belén Sáenz de Ibarra, "Face to Face," ArtNexus , No. 69, June - August 2008, p. 60 (text)
Anthony E. Grudin, Television Dreams: Andy Warhol and the History of Postwar Advertising, Berkeley, 2008, no. 35, p. 318, illustrated and p. 154 (text)
Exh. Cat., Washington, D.C., National Gallery of Art (and traveling), Warhol Headlines, 2011 - 2013, no. 14, p. 46, illustrated in color
Anthony E. Grudin, "Except Like a Tracing": Defectiveness, Accuracy, and Class in Early Warhol," October , Vol. 140, Spring 2012, p. 161, illustrated
Jean-Christophe Ammann, A Selection from the Daros Collection , Zürich, 2012, no. 38, n.p., illustrated in color
Anthony E. Grudin, Warhol"s Working Class: Pop Art and Egalitarianism , Chicago, 2017, no. 20, p. 68 (text) and p. 69 illustated
Property from a Prestigious European Collection
Andy Warhol
1928 - 1987
Carat
water-based paint on canvas
52 ¼ by 48 in.
132.7 by 121.9 cm.
Executed in 1961.
